It was working in a restaurant that first drew me to making things from clay. They had just begun using locally handmade tableware when, during a shift one evening, the glaze on a particular bowl caught my eye so much that I decided I needed to learn how to do it myself. Having just graduated from a BA in Fine Art I set myself to learning the processes involved in working with clay. The more I learned about ceramics, the clearer it became that a lifetime could be devoted to investigating the endless possibilities it offers. 

My primary interest is in the chemistry of the glazes and the work done by the kiln to transform raw materials dug from the Earth's crust into beautiful objects to be used daily around the home. I keep glaze formulations as simple as possible, allowing the atmosphere in the kiln to do the talking.

My first kiln was made from common house bricks retrieved from skips, insulated with mud from the top of the garden and fuelled by locally scavenged scrap palette wood, making the whole thing free to build and fire. I have since continued to experiment with kiln designs, and currently fire a small propane-fuelled kiln constructed from ceramic fibre.

I currently teach at The Art House Sheffield and produce thrown tableware.